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Grand Prize is 2 VIP Tickets to watch the haulers and funny cars go across the block on Saturday, January 18. In connection with this historic event and the screenings, Entertainment Universe is running a Facebook Contest in which contestants must watch a portion of the Fox Sports Special which aired just before the end of last year and indicate how many times the word “Snake” is mentioned in the piece. The screenings will take place at The Miller Lite Garage on the grounds of the auction at Westworld as follows: “The film will be just one more entertaining way Barrett-Jackson can demonstrate the revolutionary role the Hot Wheels sponsored Haulers and Funny Cars driven by the Snake and the Mongoose in the early 70s played in bringing drag racing into the mainstream of America, making the Hot Wheels brand a huge success and changing the lives of all racers since,” said producer, Robin Broidy. “This is the first feature film we have ever screened at a Barrett-Jarrett auction but it made perfect sense to do so in connection with this particular auction because the film chronicles the amazing life and times of legendary drag racers Don (“the Snake”) Prudhomme and Tom (“the Mongoose”) McEwen, and we are auctioning off at the upcoming Scottsdale auction the iconic Hot Wheels Haulers and Funny Cars that are owned by Prudhomme and changed so much about drag racing, sports marketing and the diecast world,” said Steve Davis, President of Barrett-Jackson. Entertainment Universe, the producer of the film “Snake and Mongoose” which was released theatrically in over 20 cities during the Fall of 2013, announced today that the film will be screened four times during the 2014 Barrett-Jackson Scottsdale Auction which runs from Sunday, January 12 through Sunday, January 19.īarrett-Jackson’s Scottsdale auction has been ongoing for 43 years and is the company’s premiere event. Old money is OUT, new money is IN." /eD1nCenXBX- Yano July 14, 2021 “Old money is not going to pick us up – it pushes us down, exploits, and systematically oppresses. NEW: First look at Spike Lee's Bitcoin commercial In the ad, Lee cites issues with fiat and traditional banks and notes there are “7 million unbanked” and “20 million underbanked Americans.” The commercial was created in collaboration with the Campbell Ewald marketing and advertising agency, and features appearances from actor and activist Kendrick Sampson, singer-songwriter Teyana Talyor, Ru Paul’s Drag Race contestant Shangela and Emmy-nominated Pose star MJ Rodriquez. The ad does have a loose reference to Bitcoin via a Coin Cloud ATM that contains the BTC logo, however, the firm’s ATMs support more than 30 digital assets. Instead, the concept of crypto, in general, is referred to as “new money.” While the ad spot had previously been touted as being a Bitcoin ( BTC) commercial, BTC isn’t mentioned by name at all in the ad. “Old money, as rich as it looks, is flat out broke,” Lee says, adding “they call it green, but it’s only white,” as he cites the lack of diversity in people depicted on U.S. In the ad, he explores themes such as racial and financial inequality, diversity and inclusivity. The 64-year-old Oscar-winning filmmaker directed and starred in the commercial for crypto ATM provider Coin Cloud. Spike Lee’s new ad dubbed “The Currency of Currency” launched online today, and the two-minute spot depicts crypto as new money for a diverse world. In some cases, the nature of the item means that it is non-returnable, for example, due to hygiene/health and personal care/wellness/consumable nature of the product. 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(6.35 - 62.24) Find great deals on the latest styles of Wall mount tv cable cover. “One thing for sure, the exams can’t be cancelled that’s one understanding we have got with WAEC office” he noted. Minister Sonii said, despite the delay, the Ministry along with WAEC office in Monrovia will administer the exams on a new date to be announce soon. Meanwhile, Minister Sonii has assured students that this year’s WAEC will not be cancelled despite ongoing delay. Our reporter said Elementary and Junior high schools are expected to remain in session until the first week in August. He is however urging school authorities to go by the re-adjusted calendar recently released by the Ministry in the wake of the third wave of the covid-19 pandemic.Īlready, kindergarten students have closed as per the new guildlines recently crafted by education authorities. “If you are shortening the school year, then I know for fact that you are not teaching the people’s children anything you just collecting money, you can’t teach ten months lesson in seven months” he maintains. He made specific reference to private schools, who he said, are always found violating the instituted policies. Minister Sonii said, students are to remain in school to complete the critical content of the curriculum before the climax of the academic year. “Don’t shut down the school and say Covid, we have already talked about the Covid issue, please keep the children in their schools, teach them their lessons and complete the content of the curriculum,” he stressed. Minister Sonii said, closing schools before the stipulated timeframe is tantamount to undermining the current efforts by education authorities in Liberia.Īccording to him, the Education Ministry will not hesitate to institute the necessary actions against any school found in violation. Education Minister Ansu Sonii has strongly warned against the premature closure of Schools across the Country. But I did manage to figure out how to fumble through ‘Faithless Love’ in a comfortable key. I didn’t have Souther writing for me, Peter Asher producing me, Linda Ronstadt singing with me, or Hope falling in love with me. I used to play the guitar (poorly) and sing (not much better) back in those days. And here’s Linda performing it on her own. They include the beautiful ‘ White Rhythm & Blues’, the indelible ‘ Simple Man, Simple Dream’, the wrenching ‘ Prisoner in Disguise’ and our SoTW, the heartbreaking duet ‘Faithless Love’. Souther songs Peter Asher made into hits for Linda Ronstadt in the mid-70s. If life is unfair – and I think we’ve established quite conclusively by now that it is – the blow can be palliated by listening to the string of J.D. Hell, my neighbor’s mother-in-law’s cousin could have been a rock star with a Beatle writing songs for him. He started his career as half of Peter and Gordon, for whom Paul McCartney (whose lover was Peter’s sister Jane) wrote ‘ A World Without Love’, ‘ Nobody I Know’, ‘ I Don’t Want To See You Again’ and ‘ Woman’. And lots of albums, including “Heart Like A Wheel” (1974), “Prisoner in Disguise” (1975), “Hasten Down the Wind” (1976), “Simple Dreams” (1977), and “Living In The USA” (1978). So Linda grabbed him in (musically), and by maintaining a business relationship, they made a lot of hay. Kate Taylor told Linda what a great job Peter Asher was doing with her brother James. But I guess you can’t make love in the recording booth (at least not comfortably), and you can’t record in the boudoir (at least not without shlepping a whole lot of equipment).īecause toward the end of the “Don’t Cry Now” album, Linda figured out that she needed a producer upon whom she wasn’t bestowing her considerable favors. In the early 1970s, Linda’s lovers produced her records (or perhaps she took her producers as lovers-if you want to know more details about the precise chain of each of these relationships, you can do the research yourself). The cover photo of “Hasten Down the Wind” was as much an eye-conic image of the era as Farrah Fawcett’s poster. Her album sleeves and cover photos on Rolling Stone and Time played up her very fetching self, especially an alluring array by Annie Leibovitz. She also drew from her most talented contemporaries, such as James Taylor, Randy Newman, Neil Young, Elvis Costello, Warren Zevon, Karla Bonoff. She took her material from that same pool, giving the music of Buddy Holly, Chuck Berry, Hank Williams, Smokey Robinson and the Everly Brothers some of their best-known and biggest-selling renditions. Her musical formula was an LA-studio slick amalgam of country/rock/rock and roll that became the very earprint of the time. She churned out six platinum-certified albums in the 1970s alone, three of them reaching #1. Linda Ronstadt was the most popular female vocalist of the 1970s, the first “arena-class rock diva”, commercially outdistancing Joni Mitchell, Janis Joplin and Carole King. I don’t know how that sounds today, but back then it was a jaw-dropper, a public pairing that could only happen on the edge of the San Andreas Fault. The two of them formed The Eagles in 1971, whose Souther/Frey-written songs included ‘ Best of My Love’, ‘ Victim of Love’, ‘ Heartache Tonight’, ‘ New Kid in Town’ and ‘ How Long’.īy that time, Linda Ronstadt was comfortably ensconced in the California governor’s mansion as Jerry Brown’s live-in paramour. Hell, my neighbor could make a good album with those guys backing him.įrey then joined young Linda Ronstadt’s backing band together with drummer Don Henley. 1945) started his musical career in a country-folk-rock duo with roommate Glenn Frey as the duo Longbranch Pennywhistle (1970), backed by James Burton, Ry Cooder, Doug Kershaw, Jim Gordon, Larry Knechtel and Joe Osborn. He’s a first-rate songwriter, a very respectable singer, a fine actor, and he seems like a real nice, laid-back country kind of guy, with the demeanor of a well-loved, well-worn flannel shirt.īut he was deeply involved with Linda Ronstadt at her most flowerful, and collaborated with James Taylor. Linda Ronstadt (Photo by Annie Leibovitz) |
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